(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
(Con)Front, 2010, Curated by Gwen Lee, 2902 Gallery, Singapore
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
Like glimpses into a visual diary, (Con)Front is an attempt to tackle both the conscious and the unconscious, These visual dialogues pin down the artist's response to his environment and his relentless search for a sense of place and identity. Provocative and disquieting, minimal yet profound, the exhibition examines the deconstruction of memory and time, the human desire to project towards the future, but what comes out of the future is the past. (...close)
